A former F.B.I. special agent who spent a decade chasing, interrogating and prosecuting top members of Al Qaeda says as history, 'Zero Dark Thirty' is bunk.
[oldembed width="425" height="239" src="http://www.youtube.com/v/YxC_JNz5Vbg?hl=en_US&version=3&rel=0" resize="1" fid="1"] The Hollywood gossip is that the film's presentation of torture locked it out of the Oscar race.
This former FBI agent who was deeply involved in catching and questioning top Al Qaeda members says the producers of "Zero Dark Thirty" were manipulated and used by the pro-torture contingent in the CIA. He's right - using the fig leaf of "based on actual events" does not excuse putting such serious misinformation into the popular record of what happened -- and why:
I watched “Zero Dark Thirty” not as a former F.B.I. special agent who spent a decade chasing, interrogating and prosecuting top members of Al Qaeda but as someone who enjoys Hollywood movies. As a movie, I enjoyed it. As history, it’s bunk.
The film opens with the words “Based on Firsthand Accounts of Actual Events.” But the filmmakers immediately pass fiction off as history, when a character named Ammar is tortured and afterward, it’s implied, gives up information that leads to Osama bin Laden.
Ammar is a composite character who bears a strong resemblance to a real-life terrorist, Ammar al-Baluchi. In both the film and real life he was a relative of Bin Laden’s lieutenant, Khalid Shaikh Mohammed. But the C.I.A. has repeatedly said that only three detainees were ever waterboarded. The real Mr. Baluchi was not among them, and he didn’t give up information that led to Bin Laden.
In fact, torture led us away from Bin Laden. After Mr. Mohammed was waterboarded 183 times, he actually played down the importance of the courier who ultimately led us to Bin Laden. Numerous investigations, most recently a 6,300-page classified report by the Senate Select Committee on Intelligence, have reached the same conclusion: enhanced interrogation didn’t work. Portraying torture as effective risks misleading the next generation of Americans that one of our government’s greatest successes came about because of the efficacy of torture. It’s a disservice both to our history and our national security.
While filmmakers have the right to say what they want, government officials don’t have the right to covertly provide filmmakers with false information to promote their own interests. Providing selective information about a classified program means there is no free market of ideas, but a controlled market subject to manipulation. That’s an abuse of power.
John O. Brennan, a former C.I.A. official and now President Obama’s nominee to head the agency, recently testified that the classified report raised “serious questions” about information he received when he was the agency’s deputy executive director. Mr. Brennan said publicly what many of us — who were in interrogation rooms when the program was devised — have been warning about for years: senior officials, right up to the president himself, were misled about the enhanced interrogation program.
For instance, a 2005 Justice Department memo claimed that waterboarding led to the capture of the American-born Qaeda member Jose Padilla in 2003. Actually, he was arrested in 2002, months before waterboarding began, after an F.B.I. colleague and I got details about him from a terrorist named Abu Zubaydah. Because no one checked the dates, the canard about Mr. Padilla was repeated as truth.
When agents heard senior officials citing information we knew was false, we were barred from speaking out. After President George W. Bush gave a speech containing falsehoods in 2006 — I believe his subordinates lied to him — I was told by one of my superiors: “This is still classified. Just because the president is talking about it doesn’t mean that we can.”
Some of these memos, and reports pointing out their inaccuracies, have been declassified, but they are also heavily redacted. So are books on the subject, including my own.
Meanwhile, promoters of torture get to hoodwink journalists, authors and Hollywood producers while selectively declassifying material and providing false information that fits their narrative.